。。cf.Paula Findlen，“Humanism, Politics and Pornography in Renaissance Italy" in The 。功KonradOberhuber, ed., The Illustrated Bartsch, vol. 26, 1978, New York, No.300 仰~The Illustrated Bartsch, vol. 26, No. 240 (192). 4紛GiovanniPietro B巴Hori,Le vite de’pittori, scultori ed architetti moderni, Roma, 同ちなみに関連作とされるエルミタージ、ユの〈山羊に跨がるニンフ〉は，先行図像として古代からルネサンスにかけてしばしば描かれた「パンデモスのヴィーナスPoussin (Mus白deL'Erm山ge,Mus白desBeaux-Arts Pouchkine), Paris, 1990, Invention of Pornography : Obsceniηand the Origins of Modernity, 1500 1800, ed. lated Drawings by the Caracci Family : A Catalogue Raisonne, Washington National 1672, (ed. E. Borea, Torino, 1976, p.423) ; Wild, op. cit., 1980, Bd. I, pp. 197 198. (Venus Pandemos) Jが指摘されている。cf.Natalia Serebriannai'a, et al. , Nicolas pp. 98-101. by Lynn Hunt, New York, 1996, pp. 54 76 ; Diane De Grazia Bohlin, Prints and Re-Gallery, 1979, pp. 289 305. (277). (22) Mark Zucker, ed. , The Illustrated Bartsch, vol. 25, 1980, New York, No. 20 (240). (24) Lexicon Iconographicum Mythologiae Classicae (LJMC), VIII, Zurich & Dtisseldorf, 1997, No.Pan 177. (25) The Illustrated Bartsch, vol. 26, No. 305 (231). 同Friedlaendrer,op. cit., 1966, p.104. ; Anthony Blunt, The Drawing of Poussin, New Haven & London, 1979, pp. 90-91. 324
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