鹿島美術研究 年報第17号別冊(2000)
417/763

(5) ibid.' fig. 98. (6) Ulrich von Schroeder, Buddhist Sculptures of Sri Lanka, Hong Kong, 1990, (7) ジェータヴァナ博物館蔵(蔵品番号EAV147)。( 8) Ulrich von Schroeder, op. cit.,白g.9 A 9D. (9) C. Sivaramamurti, South Indian Bronzes, New Delhi, 1963, pp. 45, 69 and (10) D. L. Snellgrove ed., Image of the Buddha, 1978, pp. 140 145 and fig. 98 ; J. Bois (11) D. Barr巴tt,“TheLater School of AmaravatI and its Influences", Art and Letters, fig. 109 and 174. fig. 21B. fig. 1 d. selier, Ceylon, p. 200 and fig.114;石黒淳「スリランカ建築・彫刻」(肥塚隆・宮治昭監修『世界美術大全集東洋編14インド(2)』小学館,1998年所収)図版127解説。vol. X:D唖−2,1954, pp. 46 and 52 ; D. K. Dohanian, The Mahayana Buddhist Sculp tures in Ceylon, New York and London, 1977, p. 93. 同Ulrich von Schroeder, op. cit. , pl. 36B;石黒前掲書,図版1310同ArchαeologicalSurvey of India, Annual Report 1908 09, 1912, pl. XX四c.同R.Sewell,“Some Buddhist Bronzes and Relics of BuddhaぺTheJournal of Royal AsiaticSociety, 1895, pp.617-37. 406

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