―519―チェコの絵画に関して日本とヨーロッパの風景画の図像における並列現像柴田是真による彦根屏風に描かれたモチーフの再検討窪俊満画の土佐日記摺物シリーズにおける狂歌師の文学的知識と狂歌師の社会的背景なぜ地理学的美術史が必要とされるか―近世都市図にみる経験と表現to the Czech traditionMarketa Hanova, Charles University in Prague, Czech RepublicParallel features in the iconography of Japanese and European landscape painting with regardsMami Hatayama, SOAS, University of LondonZeshin’s re-interpretation of pictorial motifs from the Hikone screenMiya Itabashi, Royal College of Art, UKThe representation of ‘Japanese art’ at the Japan-British Exhibition 1910, London1900年日英博覧会の「日本美術」Daan Pieter Kok, Leiden University, the NetherlandsAn investigation of the literary knowledge of the kyoka poets involved in Kubo Shunman’sTosa nikki surimono series and an attempt to reveal their social backgroundAkiko of Mikasa, Oxford University, UKWilliam Anderson Collection at the British Museum-Western Interest in Japanese Art in the19thCentury大英博物館所蔵ウィリアム・アンダーソンコレクション研究―19世紀西洋における日本美術関心―Asao Sarukawa, University of East Anglia, UKWhy we need art geography: Experience and representation in early modern city mapsAnton Schweizer, Heidelberg University, GermanyThe colour scheme black and gold on Japanese lacquered architecture of the Azuchi-Momoyama period
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