―520―〈北米〉「悲母観音図」における意味の形成安土桃山時代の建築物塗装における黒と金の図像学室町物語「花鳥風月」諸伝本における女性描写で見える平安物語享受のジェンダー化現代を撮る：富重スタジオと明治期の商業写真南画の新知見―福原五岳筆蘭亭図の主題と様式をめぐる一試論鎌倉時代虚空蔵菩薩画像：合体された画像Picturing Modern Bodies: The Tomishige Studio and Commercial Portrait Photography in thethrough Stylistic TransmissionMaiko Behr, University of British Columbia, CanadaAudiences Without and Within: Positioning the Female Gaze in Kacho Fugetsu. A MedievalTaleChelsea Foxwell, Columbia UniversityThe Construction of Meaning in Merciful Mother KannonKaren Fraser, Stanford UniversityMeiji Era.Kazuko Kameda-Madar, University of British Columbia, CanadaReattribution of an Orchid Pavillion Gathering: A Case Study of Nanga Genre ConstructionNamiko Kunimoto, University California, BerkeleyThe Stakes of Aesthetics in Ernest Fenollosa’s Epochs of Japanese and Chinese ArtThe Stakes of Aesthetics：フェノロサの「東亜美術史網―Epochs of Chinese and JapaneseArt」Hillary Pedersen, University of KansasRevealing Kokuzo bosatsu in the Kamakura Period: Combinatory ImagesAkiko Walley, Harvard University
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