―522―「琴弾宮絵縁起」における景観表現―縁起文との関係から華厳海会諸聖衆曼荼羅についての一考察三つのコンテクストから考える上方役者絵の北斎学習近世初期風俗画の性差表現河鍋暁斎筆『暁斎百鬼画談』の分析と解題酒呑童子説話と土地の記憶―逸翁美術館所蔵「大江山絵詞」をめぐってShiho Nakano, Doshisha UniversityInvention of “Furusato” in modern Japanese art history−In the case of Yorozu Tetsugoro日本近代美術史における「ふるさと」の創造―萬鉄五郎の場合―owned by the Ituo MuseumKumiko Morizane, Osaka UniversityA Study of “Kegon Kaie Shoshoju Mandara（Deities of the Flower Ornament OceanAssembly）”Examining the assimilation of Hokusai in Kamigata actor prints from three new contextsYoko Nakata, Kyushu UniversityAkira Ohno, Tama Art UniversityGender representation in genre painting of the early pre-modern ageNao Okajima, Tokyo UniversityAnalysis and bibliography of Kyosai Kawanabe’s Kyosai Hyakki GadanMami Okamoto, Gakushuin UniversityThe Shutendoji story and the ‘memory of a place’ −A study of the “Oeyama picture scroll”Mikako Tamitsu, Tokyo National University of fine arts and musicThe landscape representation in Kotobiki-no-miya e-engi-from the relation to the text
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