―476―Shoichi FURUKAWA古川攝一 Kobe Universitybetween all Buddhist schools” as Seen in the “Teng soshi”Shakado-Engi-Emaki and Seiryo TempleHirofumi HARA原 浩史 Tohoku UniversityExoteric Art and Esoteric Art −The Sculptural Program at the Lecture Hall of Toji TempleA Study on “Amoghapasa with Two Guardian Deities” from the British Museum−Iconography and Production Background−Takahiro TSUCHIYA土屋貴裕 Chiba UniversityKamakura-Period Buddhist Emaki and Historical Consciousness: The Idea of “HarmonyYuko FURUYA古谷優子 Osaka UniversityThe Death of the Buddha Shakyamuni and Related Events Owned by Manjuji, KyotoMaki TSUCHIYA土谷真紀 Gakushuin UniversityThe Story of the Buddha, the Story of an Idol, and the Story of the story: The Exoticism inAgnese HAIJIMANagoya UniversityAssimilation and Opposition to Chinese Tradition in Sesshu’s “Long Landscape Scroll”Yoshiko FUKUDA福田善子 Kyushu UniversityTransforming Sessyu’s Brushwork-the “Gakuga” Nature of Unkoku Toeki’s Style顕教美術と密教美術―東寺講堂諸像を例として―大英博物館所蔵不空羂索観音二神将像試論―図像と制作背景―鎌倉時代の仏教絵巻と歴史認識―「天狗草紙」に見る「諸宗和合」の思想―京都・万寿寺所蔵涅槃変相図について仏伝と本尊縁起の邂逅―「釈迦堂縁起絵巻」第一・第二仏伝部分を基点に―雪舟筆「四季山水図巻」における中国の伝統との融合と対立雪舟の筆法を翻案する―雲谷等益の学画的性格―〈日本〉
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