注⑴ G. Strauss, Nuremberg in the Sixteenth Century, Bloomington & London, 1976, p. 180; J. C. Smith, 4.22, 4.23; Stewart, op. cit., p. 254, fig. 7.2.⑸ J. Van der Stock, Cornelis Matsys 1510／11−1556／57, Brussels, 1985, pp. 29−30, cat. 27. 1539年頃作、⑺ Moxey, “The Social Function,” p. 76, fig. 19; Moxey, Peasants, Warriors, and Wives, pp. 94−95, figs. ⑽ マルティン・ルター「キリスト教界の改善に関してドイツのキリスト者貴族に与える書」『ルター著作集 第一集2』印具徹訳、聖文舎、1981年、267〜268頁。一部筆者が訳語を変更している。86╳110mm2002.Nuremberg. A Renaissance City, 1500−1618, Austin, 1983, p. 32.⑵ H. Rupprich（Hrsg.）, Dürer Schriftlicher Nachlass, Bd.1, Berlin, 1956, p. 243.⑶ 主要な参考文献を以下にあげる。Max Geisberg, The German Single-leaf Woodcut: 1500−1550, vol.1, New York, 1974, G.251−254; Smith, op. cit., pp. 186−187, fig. 84; K. Moxey, Peasants, Warriors, and Wives. Popular Imagery in the Reformation, Chicago & London, 1989, fig. 3.1.; A. G. Stewart, Before Bruegel. Sebald Beham and the Origins of Peasant Festival Imagery, Hampshire & Burlington, 2008.⑷ Stewart, “Expelling from Top and Bottom: The Changing Role of Scatology in Images of Peasant Festivals from Albrecht Dürer to Pieter Bruegel,” Fecal Matters in Early Modern Literature and Art. Studies in Scatology, Hampshire, 2004, pp. 118−137, esp. p. 124.⑹ Moxey, “The Social Function of Secular Woodcuts in Sixteenth Century Nuremberg,” New Perspectives on the Art of Renaissance Nuremberg, ed. by J. C. Smith, Austin, 1985, pp, 63−81; idem., Peasants, Warriors, and Wives, p. 51, fig. 3.7; Stewart, Before Bruegel, p. 255, fig. 7.3.⑻ Stewart, Before Bruegel, p. 259, fig. 7.5.⑼ Van der Stock, Printing Images in Antwerp. The Introduction of Printmaking in a City: Fifteenth Century to 1585, Rotterdam, 1998, p. 130, fig. 63; Pieter Breughel le Jeune-Jan Brueghel l’Ancien. Une famille des peintres flamands vers 1600, Anvers, 1998, pp. 380−383, cat. 138a.⑾ Stewart, Before Bruegel, pp. 34−57.⑿ ⒀ R. Scholz, Evangelisch-Lutherische Pfarrkirche St.Nikolaus und Ulrich Nürnberg-Mögeldorf, Bayreuth, ibid., p. 43.⒁ Moxey, op. cit., p. 45.― 27 ―
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