鹿島美術研究 年報第38号別冊(2021)
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⒄ Mary Lea Bandy, “Nothing Sacred: The Founding of The Museum of Modern Art Film Library,” The Museum of Modern Art at Mid-Century: Continuity and Change (Studies in Modern Art 5), New York: The Museum of Modern Art, c1995.Ibid.Iris Barry, The Film Library and How it Grew, Film Quarterly, California: University of California Press, Summer, 1969, vol. 22, no. 4, pp. 19-27.⒇ アン・モラ「ニューヨーク近代美術館フィルムライブラリーの設立」『MoMAニューヨーク近⑼ Barr to George Roweley, May 20, 1949, Archives Pamphlet Files: AHB. The Museum of Modern Art Archives, New York.⑽ Kantor, Ibid., Massachusetts: The MIT Press, 2002. 大坪健二『アルフレッド・バーとニューヨーク⑾ Barr, “Wellesley and Modernism,” Defining Modern Art, p. 54.⑿ “Sergei Mikhailovich Eisenstein,” Ibid., p. 142.⒀ Press Release for “Film Library to be Established with Rockfeller Foundation Grant at MoMA June 24, ⒁ ⒂ ⒃ Alfred H. Barr, Jr., “Notes on Departmental Expansion of the Museum,” Archives Pamphlet Files: AHBⅡC13. The Museum of Modern Art Archives, New York.⒅ ⒆ Alfred H. Barr, Jr., Foreword, Machine Art (exh.cat.), New York: The Museum of Modern Art, 1934, unpaged.(exh.cat.), The Museum of Modern Art, 1936. “The Making of Contemporary Film,” The Museum of Modern Art Press Release Archives, New York, John E. Abbott, “Report of the Executive Vice-President,” Annual Report to the Board of Trustees and the Corporation Members of The Museum of Modern Art, New York: The Museum of Modern Art, 1941, p. 7.Ibid., The Museum of Modern Art, 1941, p. 14. レヴィーン、常山菜穂子訳『ハイブラウ/ロウブラウ─アメリカにおける文化ヒエラルキーの出現』慶應義塾大学出版会、2005年。近代美術館の誕生─アメリカ20世紀美術の一研究』三元社、2012年。1935,” The Museum of Modern Art Archives, New York.Ibid.Ibid.代美術館映画コレクション』東京国立近代美術館フィルムセンター他、2014年、19頁。Iris Barry, Letʼs Go the Movies, Payson & Clarke, 1926, p. 43. Cubism and Abstract Art (exh.cat.), The Museum of Modern Art, 1936. Fantastic Art, Dada, Surrealism 1936.― 248 ―― 248 ―

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